One from the archives taken in Ontario, Canada on the Lake Huron shoreline at the bottom of High Street in Southampton. A film shot from the early 2000s.
Chantry Island and it’s lighthouse are on the horizon at the left side of the frame. There’s no EXIF data the original being on film but given the apparent angle of view I’d guess it was taken with my 17mm Tamron lens on an Olympus OM body.
One from the archives, taken in Saskatchewan, Canada in the 1990s. The Pine Siskin (Spinus pinus) looks fluffed up against the cold but it will get a lot colder in the winter.
Pine Siskins can survive very low temperatures. Their metabolic rate is 40% higher than typical for songbirds of their size. In extreme cold they can increase their metabolic rate up to five times normal.
This is my favourite Pine Siskin shot from Saskatchewan although I can’t explain why. The bird isn’t doing anything and is partially obscured by a branch. Maybe it’s the colour combination of the bird and the autumn leaves.
One from the archives taken in Cheshire in the 1980s. A wall box is a type of post box set into a wall.
This box was set into a sandstone wall on Bickerton Hill, Cheshire, England. Bickerton Hill is a low, red sandstone hill close to the southern end of a long-distance footpath known as The Sandstone Trail. The area was quarried in the past so the wall is probably built of locally sourced sandstone.
I did a selective colour treatment to leave the post box red with the rest of the image in monochrome.
Sometime after the photo was taken the post box was stolen. Removed from the wall in the dead of night I presume. Apparently there are people who collect old post boxes and obviously some aren’t concerned about obtaining them legally.
One from the archives taken in the mid 2000s and one of my early digital captures.
The sun is below the horizon illuminating the bottom of the clouds and turning Chantry Island and it’s lighthouse into silhouettes. Taken from the Lake Huron shoreline in Southampton, Ontario, Canada.
One from the archives taken in Lancashire, England in the mid 1990s.
I was at the Wildfowl and Wetlands Trust Martin Mere reserve. There was a few Whooper Swans (Cygnus cygnus) close to one of the hides in the morning. With the nice light on the birds I spent some time shooting as wide a variety of images as possible.
I like the way the light is catching the drops of water on the birds head and neck as it feeds.
One from the archives taken in Lancashire, England in the 1990s. I spent most of the day at Martin Mere Wetland Centre, a Wildfowl and Wetlands Trust nature reserve. There’s a selection of wooden hides (blinds) overlooking various areas of the reserve.
I made sure that I was in the most suitable hide as the sun was setting with the intention of shooting silhouettes of the wildfowl on the water. This male Common Pochard (Aythya ferina) appears to be staring at the lens although I suspect that it is a coincidence as the birds generally ignored the hides. I like the way the last light is catching the grey portion of the birds bill.
One from the archives taken in the early 2000s when I was living a few blocks from the Lake Huron shoreline in Southampton, Ontario.
Taken with a telephoto lens to make the lighthouse large in the frame. As I was down at the shoreline regularly I could time the camera exposure to the flash of the light in the lighthouse. If I recall correctly the light flashed every six seconds. So after it flashed I would count five seconds and then release the shutter before counting six.