A telephoto landscape from the archives. Taken in the autumn of 1985 which makes me realise just how long I have been using long telephoto lenses to isolate sections of the landscape.
I was photographing storm clouds over Loch Arkaig, Lochaber, Scotland in the evening. I noticed that a light beam from the low sun was illuminating a section of a hillside and quickly swapped to my 300mm for this shot.
Saturday morning of week 40 had thick cloud. So rather than head off for a sunrise I went for a walk looking for autumn colour.
I was struck by the variety of colour in this small section of trees. I used a telephoto lens to pick out the most interesting section of colour.
Throwback Thursday travels back to Saskatchewan, Canada in the late 1990s.
In the autumn one of my regular locations for Snow Geese and Sandhill Cranes on autumn migration was Last Mountain Lake National Wildlife Area in Saskatchewan. One afternoon there was large clouds of smoke to the north west. A couple of times flocks of Snow Geese would take off and fly in front of the smoke.
I never found out what caused all the smoke.
Thursday evening of week 40 saw me looking for autumn colour on some local back roads during the golden hour.
I was rather disappointed with the autumn colour but noticed the long shadows and warm evening light on my favourite old barn. I ended up walking along a ditch to get to a position where my shadow wouldn’t be in shot.
This week’s Cosmic Photo Challenge is The Blues and the Golds.
Once again I had several ideas for the challenge. My first thought was birds, there’s lots of birds with blue or gold coloured plumage. My next thought was a sunrise or sunset, lots of blues and golds in those. That made me think of shots taken during the blue hour and the golden hour.
Then I thought about the time of year, autumn leaves and wondered how it had taken me so long to get there.
This shot was taken with a fisheye lens but as I tried to position the lens so that a lot of the tree trunks were pointing towards the center of the frame there’s little obvious fisheye distortion. But the wide angle of view means that the blue sky goes from medium to pale across the frame.