This week Ann-Christine gives us the prompt Soft for the Lens-Artists Photo Challenge.
My first thought was of some of the photos I had taken last year when I was experimenting with photographing flowers and plants with various unusual lenses. Mostly fast portrait lenses but also some CCTV lenses adapted to a mirrorless camera.
Fern amongst autumn leaves with a CCTV lens.A group of Coneflowers photographed with a fast portrait lens. First light on some grass seed heads with a fast portrait lens. Fern frond detail with a fast portrait lens.
Flora and Fauna Friday this week is the second part of my posts on the Common Hazel (Corylus avellana).
Last week my post was about the male Common Hazel catkins that produce the pollen to fertilise the female flowers.
This week my post is about the female flowers. The flowers are tiny, the entire bud in this photo is approximately the size of the head of a match. The red styles that form the visible part of the flower are 1 to 3 mm long.
This week my Flora and Fauna Friday post is part one of a two part post.
These are Common Hazel (Corylus avellana) catkins, the male flowers that produce the pollen that pollinate the Hazelnut producing female flowers. Photographed in an abandoned orchard at Faddiley near Nantwich in southern Cheshire, England. The catkins and flowers are produced in late winter or early spring before the leaves appear.
This is my contribution to Amy’s Lens-Artists Photo Challenge: My Photography Journey prompt.
I had quite a few ideas for the challenge, none of which I could build a theme around. In the end I decided to simply pick one favourite nature or landscape image from each decade I have been taking photos. Because landscapes and nature have been constant subjects during my photographic journey.
As a result it’s also partly a journey around some of the places I have lived over the years.
1970s. Trees in snow covered farmland in Hatherton, Cheshire, England. I was still in secondary (high) school when this shot was taken. Taken a mile down the side road from my parents house at the time. It was part of the portfolio that got me a place at art school. Despite having been online for nearly a quarter of a century this is the first time I have posted the full frame, uncropped version. I have always cropped to a panoramic format in the past.
1980s. Storm clouds and light beams over Loch Arkaig, Scotland. Memorable because I had spent three days shooting landscapes in almost constant rain. The rain stopped early evening of the third day and the sun started breaking through the storm clouds. This shot was published worldwide by Olympus Japan and won a national photo contest in the U.K.
1990s. An American White Pelican on Last Mountain Lake. Probably the hardest decade to pick a favourite. I moved from the U.K. to Canada and was doing a lot of nature and landscape photography. One of the most memorable moments was sitting in the water at Last Mountain Lake, Saskatchewan, Canada while a flock of American White Pelicans swam and fished around me.
2000s. Osprey with a White Sucker over Lake Huron. This decade saw me living in Ontario, Canada. For the first 8 years I lived in Southampton on the Lake Huron shoreline. I would frequently head down to the lake shore for sunrise and sunset. If I was down there for the sunrise I would often hang around looking for birds. One morning I watched this Osprey catch the fish and immediately start getting harassed by a couple of Herring Gulls. The Osprey is looking at one of them while the water still drips off the bird and the fish. This was my second year shooting digital.
2010s. A juvenile Ruby-throated Hummingbird in late summer. I was now living on the South Bruce Peninsula, Ontario and in 2018 did a 52 week photo project which is how this blog started. This shot didn’t make it as a weekly pick for the project but it was published in a bird calendar the following year.
2020s. A portrait of a Coneflower. One year into the 2020s and a surprisingly difficult pick. I had a few nice sunrises from the local bay and a nearby lake last summer and autumn. Which meant that I couldn’t pick a favourite because they were all too fresh in my mind. However, I spent part of the first Covid-19 lockdown photographing flowers and plants with various unusual lenses. For this Coneflower I used a fast portrait lens wide open. It’s been a favourite since I took it.