Week 48. A spot of colour in the snow.

Wednesday afternoon of week 48 saw me going for a walk looking for details in the snow.

About halfway along the walk I spotted this leaf clinging on to the snow covered branch. I took a few variations of the leaf and snow covered branches but as is often the case it was the first version I picked.

I did a selective colour treatment of it as there was just enough colour in the background to be distracting.

A leaf clings on.

An impression of trees, part three.

After experimenting with deliberate camera movement during exposure earlier in the year I had another experiment on a Sunday morning walk.

This experiment was different in a couple of ways. Firstly, the leaves are now off the trees so there is less colour but the trees are more graphical shapes with the bare branches.

Secondly, for my earlier experiments I had been using short telephoto lenses. For this shot I went in the opposite direction and used my fisheye lens. A fisheye lens has an ultra wide angle of view with strong visual distortion towards the edges of the photos.

I find it interesting that the tops of the trees are curved inwards due to the distortion of the fisheye lens but that the branches streak outwards due to the camera movement. It was an exposure of 1/3 of a second while panning the camera vertically.

An impression of trees with a fisheye lens.

Bare branches.

Monochrome Monday travels back a day to a walk on Sunday morning. With a weekend of thick cloud and poor light I decided to shoot with the intention of converting certain shots to monochrome.

I had a telephoto lens on the camera when I set out. At the turn around point of the walk I swapped the telephoto for my fisheye lens. I kept checking overhead looking for some interesting patterns in the bare branches. I centred myself in this group of trees and because the camera is looking straight up there’s not a lot of fisheye distortion.

Autumn trees and branches.

Foggy trees.

Throwback Thursday travels back to Cheshire, England in the late 1970s. The trees are growing in a field belonging to a nursery and were ready to be transplanted to customers. As a photography student my summer job was working in the fields belonging to the nursery so I was familiar with what was growing where.

On a foggy autumn day I went for a walk around the fields looking for shots. The original was a colour slide but it was monochromatic so when I copied the slide I did a monochrome conversion. The bright section at the top of the frame means that the sun was quite high when the shot was taken.

Foggy trees.

Telephoto landscapes, part two.

A continuation of using telephotos to isolate sections of the landscape.

This shot is from a couple of years ago. I had gone down to the dock at Bluewater Park in Wiarton on the South Bruce Peninsula for the sunrise. There was a good display of autumn colour on the Niagara Escarpment so once the sun was up I put a super telephoto lens on the tripod and started isolating sections.

This allowed me to focus attention on the autumn colour while having a thin strip of water along the bottom of the frame and a small section of sky at the top giving the trees some context.

The rock edge of the Escarpment is visible center left of the frame with a couple of large boulders that have fallen from the rock face at the waters edge.

A section of autumn colour on the Niagara Escarpment.